A recent feature film production, “They Fight,” has injected an estimated $9.4 million into the Maryland economy, supporting 375 jobs throughout the state. The film, slated for release next year on Disney+ and Hulu, utilized goods and services from approximately 100 local businesses during its nearly three-week filming period in Baltimore City. The production team received assistance from the Maryland Film Office, including support in applying for the Maryland Film Production Activity Tax Credit. This credit aims to offset certain costs associated with film production activities within the state.
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The Maryland Film Production Activity Tax Credit, established in 2012, has been instrumental in attracting and supporting major productions. To date, it has facilitated 21 significant film projects that have collectively spent $827 million directly within Maryland, generating an economic impact nearing $1.5 billion for the state. On average, productions benefiting from this credit have employed over 1,000 Maryland residents as cast and crew members and engaged with around 1,200 local businesses annually for goods and services. This initiative highlights Maryland’s commitment to fostering growth within its arts economy, creating employment opportunities, and bolstering local businesses.
“They Fight” is based on a 2018 documentary of the same name and stars notable actors such as André Holland, Wendell Pierce, and Emmy Award winner Samira Wiley. Several Maryland natives are also involved in the film’s production, including producer Jason Michael Berman and writer and director Sheldon Candis. The film’s narrative centers on Walt Manigan, a boxer and former convict, as he rebuilds his life and mentors a group of young boys through an after-school boxing program at a recreation center facing closure. The production also benefited from the collaborative efforts of Baltimore City government agencies, which provided assistance with permits and city services.
Article by Mel Anara, based upon information from the Office of Governor Wes Moore.
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